Showing posts with label The Beatles. Show all posts
Showing posts with label The Beatles. Show all posts
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41 YEARS SINCE THE BEATLE'S BROKE UP

Read what led to Paul McCartney's announcement on April 10, 1970 that the band was breaking up.


Today marks an anniversary most Beatles fans would rather forget: the day in 1970 when Paul McCartney announced to the world that the Beatles were essentially over. To promote his first solo album, McCartney, Paul issued a four-page interview with himself. The band, McCartney wrote, was divided over "personal differences, business differences, musical differences," adding, "Temporary or permanent? I don't know." To his own question, "Do you foresee a time when Lennon-McCartney become an active songwriting partnership again?", he bluntly answered, "No."
What was Paul's motivation and what was the immediate fallout? While researching my upcoming book Fire and Rain: The Beatles, Simon & Garfunkel, James Taylor, CSNY and the Lost Story of 1970 (Da Capo, June), I went in search of documents I'd long heard about but had never seen: the court papers of Paul's lawsuit to dissolve the Beatles, filed Dec. 31, 1970.
The papers documenting the legal end of the Beatles aren't easy to examine. They're stored an hour outside London at the National Archives, home to historical documents dating back 1000 years, and I had to look at them in a windowless room, locked from the outside. I wasn't allowed to photograph any of the papers and could only use a pencil to take notes.
Despite these restrictions – and with the help of some interviews of some crucial players – I was able to put together a timeline of the last days of the Beatles. Here's some of what I gleaned.
March 20: Allen Klein, then handling the Beatles' business affairs, asks EMI to delay the release of McCartney, which Paul wants out on April 17. With the Let It Be album already scheduled for that month, and Ringo about to unveil his solo album Sentimental Journey, Klein is concerned about a glut of Beatle product in the stores.
March 23: Unaware of Klein's maneuver, Paul finishes up McCartney at EMI Studio. The same day, Klein meets personally with EMI and repeats his (and other Beatles') demands. EMI agrees to postpone McCartney.
March 31: John and George write a letter to Paul to explain their actions: "We thought a lot about yours and the Beatles LPs – and decided it's stupid for Apple to put out two big albums within seven days of each other. … We're sorry it turned out like this – it's nothing personal." Later that day, Ringo hand-delivers the letter to a shocked Paul at his London home; Paul reads it, yells at him and asks him to leave. "I got really angry when Ringo told me that Klein had told him my record was not ready," Paul says in his court affidavit. Ringo convinces John and George to let Paul's album come out as planned and to delay Let It Be by a month.
April 1: Phil Spector, hired by Klein to finish Let It Be, overdubs strings, a harp, a choir and additional drums onto "The Long and Winding Road" without McCartney's knowledge.
April 7: Paul's lawyers announce the release of McCartney, and the four Beatles agree to meet for the first time in months on Friday, April 10, to discuss the Let It Be movie. The same day, Paul's statement – which the other Beatles are unaware of – is delivered to the Apple press office, for distribution with the first 100 press copies of McCartney.
April 8: Xeroxes of Paul's press release are hand-delivered to writers at the London Evening Standard and the Daily Mirror, who are told not to publish it for two more days.
April 9: A day early, the Daily Mirror runs an article declaring Paul has left the Beatles. Paul calls John, who's already heard about the announcement from the Evening Standard's Ray Connolly. Beatle associate Mal Evans hears a radio report and tells George at his Friar Park home outside London.
April 10: Paul's announcement goes global and fans begin congregating outside Apple headquarters; a TV reporter on the scene declares, "The event is so momentous that historians may mark it as a landmark in the decline of the British Empire." Not surprisingly, McCartney's team sends a cable to Apple canceling the planned Beatles meeting that day.
April 16: Stung by the way the public is blaming him for the Beatles' breakup, Paul calls the Evening Standard's Connolly for an interview. Over lunch, Paul claims Yoko Ono's presence played a role in intragroup tensions and admits he threw Ringo out of his house. "I didn't leave the Beatles," he says. "The Beatles have left the Beatles. But no one wanted to be the one to say the party's over." When John reads the interview in print a few days later – especially the part where Paul complains about the female choir added onto "The Long and Winding Road" – he cracks, "Is that what this is all about—those bloody girls?" (RollingStone)

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STARS DONATE MEMORABILIA TO EBAY AUCTION FOR JAPAN!


Katy Perry, The Beach Boys, Chris Martin and Arcade Fire are among the stars who have donated memorabilia to a charity auction raising money for the relief effort in Japan.
The Jonas Brothers, Kylie Minogue, Iron Maiden and the Smashing Pumpkins' Billy Corgan have also handed over personal items and collectibles for the eBay event, which will help survivors of the Japanese earthquake/tsunami disaster last month (Mar11).

Perry has given a cupcake trampoline stage prop from her California Dreams world tour, while Brian Wilson's handwritten lyrics to a Beach Boys song and Chris Martin's jacket from Coldplay's 2010 Viva La Vida world tour are also up for grabs.
Other lots include 35 David Bowie albums autographed by the rocker, Jane Birkin's own Hermes Birkin handbag, Jeff Bridges' signed guitar and a Ferrari 412 seen in Daft Punk's film Electroma.
Bosses at London's famous Abbey Road Studios are offering up a tour of the venue, which is not open to the public, and a 1921 Steinway grand piano - as well as a photo of U2 frontman Bono playing it.
The first phase of the auction ends on the 15 April (11), while the second half begins on 11 April (11).
 (YOUNGHOLLYWOOD.COM)

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2011 GRAMMY HALL OF FAME INDUCTEES!!




Harry Chapin’s “Cat’s in the Cradle,” the Jackson 5’s “I’ll Be There” and the 1980s classic-rock standard “Purple Rain” by Prince & the Revolution were among 30 recordings named today as 2011 inductees into the Grammy Hall of Fame.
The Hall of Fame was established in 1973 by the Recording Academy’s National Trustees, honoring recordings “of lasting qualitative or historical significance” that are at least 25 years old. With the 30 inductees announced today, the Hall of Fame includes 881 titles, all of which are honored at the Grammy Museum in downtown Los Angeles.
“The Grammy Hall of Fame represents all genres of music, acknowledging the diversity of musical expression for which The Academy has become renowned,” Neil Portnow, president and CEO of The Recording Academy, said.
“These musical treasures have brought us timeless recordings, and each of them deserves to be memorialized. These recordings are living evidence that music remains an indelible part of our culture.”
Also among the latest class of inductees are Al Jolson’s single “My Mammy,” Willie Nelson’s “On the Road Again,” The Beatles’ “Penny Lane,” The Marvelette’s “Please Mr. Postman,” Al Green’s “Take Me to the River” and The Animals’ “We Gotta Get Out of This Place.”


Here is a complete list of Grammy Hall of Fame inductees:
“Bogalusa Boogie,” Clifton Chenier, 1976 (Album)
“Brigadoon,” Original Broadway Cast, 1947 (Album)
“Cat’s in the Cradle,” Harry Chapin, 1974, (Single)
“Cissy Strut,” The Meters, 1969, (Single)
“Dark Was the Night—Cold Was the Ground,” Blind Willie Johnson, 1927, (Single)
“Do Nothin’ Till You Hear from Me,” Duke Ellington & His Orchestra
Featuring Al Hibbler, 1944, (Single)
“Frankie,” Mississippi John Hurt, 1928, (Single)
“Genius + Soul = Jazz,” Ray Charles, 1961, (Album)
“Heavy Weather,” Weather Report, 1977, (Album)
“I’ll Be There,” The Jackson 5, 1970, (Single)
“I’ve Been Loving You Too Long,” Otis Redding, 1965, (Single)
“Joan Baez,” Joan Baez, 1960, (Album)
“Ko-Ko,” Duke Ellington & His Famous Orchestra, 1940, (Single)
“The Koln Concert,” Keith Jarrett, 1975, (Album)
“The Letter,” The Box Tops, 1967, (Single)
“Lovesick Blues,” Hank Williams With His Drifting Cowboys, 1949, (Single)
“Many Rivers to Cross,” Jimmy Cliff, 1969, (Single)
“My Mammy,” Al Jolson, 1927, (Single)
“On the Road Again,” Willie Nelson, 1980, (Single)
“Penny Lane,” The Beatles, 1967, (Single)
“Please Mr. Postman,” The Marvelettes, 1961, (Single)
“Purple Rain,” Prince & The Revolution, 1984, (Album)
“Rockin Chair,” Mildred Bailey, 1937, (Single)
“Schumann: Carnaval Op.9,” Sergei Rachmaninoff, 1929, (Album)
“Steel Guitar Rag,” Bob Willis & His Texas Playboys Featuring Leon McAuliffe, 1936, (Single)
“Summertime,” Sidney Bechet, 1939, (Single)
“Sunday at the Village Vanguard,” Bill Evans Trio, 1961, (Album)
“Take Me to the River,” Al Green, 1974, (Track)
“Walking to New Orleans,” Fats Domino, 1960, (Single)
“We Gotta Get Out of This Place,” The Animals, 1965, (Single)
SOURCE

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The Beatles Sell 2,000,000 Songs in Their First Week on iTunes


One week ago, the entire Beatles catalog was made available on Apple’s online music store iTunes. Now, the numbers are in: according to Billboard, the Beatles sold more than 450,000 albums and more than 2 million individual songs in the first week on iTunes.
The best selling-album in the U.S. was Abbey Road while the best-selling song was Here Comes the Sun.
The impressive numbers come as no surprise as the Beatles took over the iTunes charts in the first day of availability, with 11 of their albums surging to the iTunes top 25 albums list.
Getting there was no easy task, however. Back in 1978, the Beatles’ corporation Apple Corps sued Apple Inc. (then Apple Computer) for trademark infringement. The suit was settled in 1981, but it dragged on for decades, reaching pinnacle in 2003, with Apple’s launch of iTunes, when Apple Corps once again sued Apple Computer, claiming it had violated the agreement not to distribute music. Finally, on February 2007 the two companies settled their trademark dispute, but it took three more years for the Beatles’ catalog to reach iTunes. Judging by the impressive sales, the long wait paid off for both companies in the end. source

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